傲慢与偏见论文英文开题报告
按照当时的社会背景和社会文化作者的婚姻观还真没什么好反的不过，我可以说一下，写《简爱》的作者是很反我亲爱的Jane Austen的婚姻关的，你可以去找有关她们的传记，稍稍负责的人都应该提到过她们对立的婚姻观随便说一下，楼上的答案么强，想也轮不到我
First published in 1813, Pride and Prejudice has consistently been Jane Austen's most popular novel. It portrays life in the genteel rural society of the day, and tells of the initial misunderstandings and later mutual enlightenment between Elizabeth Bennet (whose liveliness and quick wit have often attracted readers) and the haughty Darcy. The title Pride and Prejudice refers (among other things) to the ways in which Elizabeth and Darcy first view each other. The original version of the novel was written in 1796-1797 under the title First Impressions, and was probably in the form of an exchange of Austen's own tongue-in-cheek opinion of her work, in a letter to her sister Cassandra immediately after its publication, was: "Upon the whole... I am well satisfied enough. The work is rather too light, and bright, and sparkling; it wants [. needs] shade; it wants to be stretched out here and there with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story: an essay on writing, a critique on Walter Scott, or the history of Buonaparté, or anything that would form a contrast and bring the reader with increased delight to the playfulness and general epigrammatism of the general style".Jump to the Pride and Prejudice table of contents. Document structure:This Pride and Prejudice e-text is fairly thoroughly hypertexted, but there are no cross references from one part of the main body of the text to another part. Instead, links go into or out of the main text, either to or from one of five indexes: The list of characters, the list of events in chronological order, the comments on random topics, the index to the motifs of "pride" and "prejudice", or the list of important places (with a map).It has been pointed out that since Chapter 1 is marked up pretty much the same way as any other chapter, those who have never read Pride and Prejudice before may find a confusing plethora of links in the first few chapters -- don't feel you have to click on to use this DocumentIf you have a graphics browser, then you will see little mini-icons preceding links in some menus in the Pride and Prejudice hypertext (and elsewhere in the Jane Austen pages):A down-arrow indicates a link to the next subdocument in a series (or to a later point, often the end, in the current subdocument). An up-arrow indicates a link to the preceding subdocument in a series (or to an earlier point, often the beginning, in the current subdocument). A curvy back-arrow indicates a jump back to a superordinate document (often a higher-level table of contents). A rightwards-pointing arrow indicates all other links (. links to a subdocument subordinate to the current one, or random "sideways" links). One practical point is that when web browsers follow a link, they tend to put the text referenced by the link at the extreme top of the screen or window, which can be a little awkward for a document which includes many links which go to the middle of a paragraph, as this one does. When you have followed a link, and the promised topic of the link doesn't seem to immediately leap into prominence, look near or at the top of the window, and then scroll back a few lines if necessary to get the immediate context of the reference. On the other hand, when there is a reference to a location near the end of an HTML file, some browsers (including the most frequently used graphic browsers!) will put the end of the file at the bottom of the window, with no indication of where in the window the target location is. (Complain to the software companies about these annoying browser peculiarities.)
外语系毕业论文开题报告范文
1. Aim and Significance:
As is known to all, Pride and Prejudice which was written by a famous English female writer Jane Austen is still a classic in English literature nowadays. Jane Austen who was born and lived her whole life in England wrote six books in her life time. Her novels all described the lifestyle and social communications of families in the countries of England as what she is familiar with. The book Pride and Prejudice is the typical one that fully expressed Janes view on marriage and emphasized that the benefit on economic exerts a great influence on marriage.
The characters in the novel all had their own opinions on marriage. Mrs. Bennet, for instance, has only one aim-that of finding a good match for each of her five daughters. As for Elizabeth, who is the second daughter in the Bennet family said that only deep love would persuade her to marry which was why she would probably end up an old maid. Lydia and Charlotte, however, were two extremes. The former just married for sex, while the latter married for a comfortable home and protection.
There are just so many different characters that were all formed under the society of England in 18 century. Then, there was filled with unfairness between men and women. Just as what Jane Austen is a truth universally knowledge, that a single man in possession of a good fortune, must be in want of a wife.
2. Main Methods and Ways of Studies:
The combination based on love and similar interests results in a happy marriage of Bingley and Jane in Pride and Prejudice。Among all the marriages in this novel, the combination of pleasant Bingley and mild Jane is the most blessed and happy one. The couple has similar interests and they insisted on pursuing their true love, which lead them to a happy and perfect marriage.
Mr. Bingley was a good looking and gentlemanlike person whose revenues were about 5,000 pounds a year. As a young man who had good breeding, he was cordial and simple with easily-led disposition. With this character, he never appeared dissatisfied. He was easy to approach and constant in love although he was very rich. However, he lacked strength and independence in his marriage, which was a grievous defect of him. In the novel, Bingley was popular with almost everybody in everywhere. He had a pleasant countenance and easy unaffected manners. It is easy to find that he was agreeable both in appearance and character. The first appearance of Bingley was the time when he “returned Mr. Benner’s visit, and sat about ten minutes with him in his library.” As a pleasant and modest person, Mr. Bingley was far from the man who was strong and determined. This is his merit but also his demerit. His cordial and simple character leads to his quiet romance with Jane. But his weak and easily-led character leads to his parting with Jane. So when their romance went smoothly, he suddenly departed from Jane, which nearly ends his happy love and marriage.
3、Timetable of the Thesis Writing:
Time arrangement for the writing plan is as follows: Before March 15, hand in the presentation of the paper. Before April 12, hand in the first draft of the paper. Before May 24, hand in the final paper.
4、Reference Books and Materials Available:
[1] 李宏伟, 幸福，在高不可攀处吟唱——《傲慢与偏见》的婚姻透视， 山西大学师范学院学报。
[2] 敬东颉，简·奥斯汀《傲慢与偏见》的婚姻观，镇江师专学报(社会科学版)
[3] 李冬芹，《傲慢与偏见》婚姻观点漫谈，殷都学刊。
[4] 杨琴, 评简·奥斯汀在《傲慢与偏见》中的婚姻观，扬州职业大学学报
[5] 简·奥斯汀的.《傲慢与偏见》的评论
[6] 魏立婷，《傲慢与偏见》内容提要
[7] 魏立婷，《傲慢与偏见》作品赏析。
这里是Jane Austen的pridepre&judice介绍站，其中有写作风格与总结。 还有：
傲慢与偏见本科论文开题报告
英语专业毕业论文分为好几类，比如有文学方面的，商务英语方面的，教学法方面，语言学方面，文化方面的，翻译方面的等等。每个方向有各自的写作要求，但都包括Title,Abstract,Introduction,Body,Conclusion,Notes,Bibliography,Acknowledgement。当然，在写之前还要写选题报告，开题报告还有结题报告。写文学方面的要看英文原著，当然也可搜索大量资料，但要想写出好的文章得到高分必须要Doitbyyourself.还有我想说的是论文最好提早下手，这样才可以有大量时间不断的修改。总之，要写出好论文就得多用心，多找资料，多跟论文导师交流，多看，多写。
女权主义从一种社会思潮到哲学思想的发展,并非一朝一夕的，而是经历了理论和实践斗争发展的多个阶段的。从当代西方女权主义理论和实践的发展看来，朱莉娅·克里斯蒂娃把女权主义发展划分为三个阶段：第一阶段“自由女权主义”阶段，强调女性作为平等的参与者加入既定社会秩序的权力，在“普遍化”的背景下考虑女性问题；第二阶段“差异女权主义”阶段，强调女性内在固有的积极性，摒弃社会秩序，主张建立一种女性能够摆脱男性影响而生存的社团或群体；第三阶段则是在后现代背景下形成的当代女权主义理论，把“平等”与“差异”、“男／女”对立的二分法作为强制的形而上学范畴，女权主义的目标必定致力于发展一个超越男女性别对立的社会。 第一阶段或第一浪潮 女权主义兴起和发展大约在19世纪到20世纪40年代； 女权运动与是反封建运动相结合的，早在法国大革命时就开始出现，到19世纪中叶规模壮大起来。这个阶段主要与社会自由解放的革命运动一起，成为社会革命的重要部分和衡量社会解放的标准和尺度。女性们追求与男性平等的政治权利，认为作为人类的一部分，男性与女性是平等的。到20世纪20年代，这一目标基本实现。在早期的女权主义在理论层面上的差异性研究中，主要是围绕着自然性别（sex）来展开的。女权主义性别sex的考察指出，性别是给与的或强加给女性的，描述了女性与男性在身体上的生理特征差别，具有启蒙的作用。西蒙·波伏娃《第二性》；注重生理性别（sex）差异，是指男女之间在生理上的特征表现出的自然性别，但是她破除了性别是天生的看法；波伏娃指出，所谓自然性别sex，事实上并非是天然形成的，人们的性别区分不是与生俱来的，而是被给与的，被强加，尤其女性作为低等的性别，和男性作为优越的性别，是社会不平等的表现。在序言中，西蒙·波伏娃尖锐地指出，“女性是什么？有人说：‘女性仅不过是个子宫而已’”。但是谈到某些女性，她指出，“在今日，女性的处境指示出，女性是和男性一样是一个自由自主的个体，虽然在这个世界里男性还是尽量处处压迫她们，推到比男性次要的地位，而且希望她们永远停留在附属的地位，把她们的命运限制在狭窄的范围之内。”第二阶段或第二浪潮 女权主义在20世纪60-70年代， 兴起于美国，其基调是要消除两性差别，它引发了女权主义的理论研究热潮，更多的女性为争取女性在文化、历史、习俗上的更多自由而投身到这场斗争中。注重社会性属的考察，分析了性属所造成的性格的差别，形成了各个方面的女权主义的理论创建；男性气质和女性气质的差别；女权主义理论作为正式的学术研究，此间逐渐发展成为人文学科中一个重要的研究领域。在这里《第二性》尽管发表较早(1949年)，但它对女权运动的第二次浪潮起到了巨大的推动作用。波伏娃促使女性超越生理局限，更多地关注到政治、法律对女性自由的束缚。凯特?米利特的《性政治》（1969年），把“父权制”概念引入女权主义理论，并为它注入了新的含义，父权制不仅指男性作为权力中心统治女性，而且包括男性长辈对晚辈的统治。米利特将性别与政治直接且突出地联系在一起，用“父权制的男性沙文主义”统治，把男性对女性的压迫视为人类社会历史统治的最基本最普遍最不合理的政治形式，激起女性与整个人类联合起来推翻父权制的统治。米利特将这种激进的政治态度带进文学批评，以此反对当时占绝对权威的新批评理论，成为女权主义文学批评的典范。于是，人们开始提出了性属（gender）概念，即社会性别，或称其为历史性别或文化性别。性属理念是揭露性的批判，从中我们可以看到被社会不平等给与性别的印记，可以看到性别之间的主次划分和优越从属的区别。在《性属/社会性别机制》一文中，特利沙·德·劳力提指出，对于社会性别而言，“不仅仅是在每个词、每一符号都指代一种物体、一件事情或是一个有生命的机体这种意义上的再表现。社会性别事实上是对一种关系，一种隶属于一个阶级、一个团体、一种类别的关系的再表现。……所以说，社会性别并非指代一个个人而是指代一种关系， 一种社会关系。换句话说， 它为一个阶级而指代一个个人。” 可说是“与社会不平等机构有机地连结在一起的”。他认为，性别—社会性别体系既是一种社会文化建构也是一种语言机制，一种指定个人在社会中的意义（身份、价值、声望、在血族关系中的位置以及社会地位等等）的再表现体系。如果社会性别的再表现代表着不同含义的社会地位的话，那么某个人被表示成或自表为男或女也就意味着承认了整个社会性别的意义体系。发现女性被社会给与的卑下性别和社会性属的理论，导致了自然性别论的破产。社会性别的再表现也就是社会性别的建构，男性和女性之间的社会差异就显露出来了。一方面可以看到男女之间横亘着的不可逾越的鸿沟，同时表现为社会价值观赋予的女性气质与男性气质之间的截然不同。社会对女性的气质的规定打造了女性形象，从而也规定了女性的命运和女性的生活状况及家庭生活状况。有的人看到，社会性别理论的贡献在于性属"gender"概念，人类才意识到，有阶级历史以来任何人类社会阶段上都有社会性别。只是没有作自觉的观察和了解。在人类认识到了性属存在和发展的过程中，人的身心被建构成了一种历史的和社会的性别——性属。这些过程随着时间推演而不断改变。历史学家斯科特在《社会性别：历史分析的一个有效范畴》中对性属/社会性别概括道，性属/社会性别是组成以性别差异为基础的社会关系的一个成分，是区分权利关系的基本方式。在这里，他强调了两点：第一，性属/社会性别是社会关系的表现，不是由生理性别决定的；第二，性属/社会性别是权力关系的一种存在方式。
免费傲慢与偏见论文开题报告
女权主义从一种社会思潮到哲学思想的发展,并非一朝一夕的，而是经历了理论和实践斗争发展的多个阶段的。从当代西方女权主义理论和实践的发展看来，朱莉娅·克里斯蒂娃把女权主义发展划分为三个阶段：第一阶段“自由女权主义”阶段，强调女性作为平等的参与者加入既定社会秩序的权力，在“普遍化”的背景下考虑女性问题；第二阶段“差异女权主义”阶段，强调女性内在固有的积极性，摒弃社会秩序，主张建立一种女性能够摆脱男性影响而生存的社团或群体；第三阶段则是在后现代背景下形成的当代女权主义理论，把“平等”与“差异”、“男／女”对立的二分法作为强制的形而上学范畴，女权主义的目标必定致力于发展一个超越男女性别对立的社会。 第一阶段或第一浪潮 女权主义兴起和发展大约在19世纪到20世纪40年代； 女权运动与是反封建运动相结合的，早在法国大革命时就开始出现，到19世纪中叶规模壮大起来。这个阶段主要与社会自由解放的革命运动一起，成为社会革命的重要部分和衡量社会解放的标准和尺度。女性们追求与男性平等的政治权利，认为作为人类的一部分，男性与女性是平等的。到20世纪20年代，这一目标基本实现。在早期的女权主义在理论层面上的差异性研究中，主要是围绕着自然性别（sex）来展开的。女权主义性别sex的考察指出，性别是给与的或强加给女性的，描述了女性与男性在身体上的生理特征差别，具有启蒙的作用。西蒙·波伏娃《第二性》；注重生理性别（sex）差异，是指男女之间在生理上的特征表现出的自然性别，但是她破除了性别是天生的看法；波伏娃指出，所谓自然性别sex，事实上并非是天然形成的，人们的性别区分不是与生俱来的，而是被给与的，被强加，尤其女性作为低等的性别，和男性作为优越的性别，是社会不平等的表现。在序言中，西蒙·波伏娃尖锐地指出，“女性是什么？有人说：‘女性仅不过是个子宫而已’”。但是谈到某些女性，她指出，“在今日，女性的处境指示出，女性是和男性一样是一个自由自主的个体，虽然在这个世界里男性还是尽量处处压迫她们，推到比男性次要的地位，而且希望她们永远停留在附属的地位，把她们的命运限制在狭窄的范围之内。”第二阶段或第二浪潮 女权主义在20世纪60-70年代， 兴起于美国，其基调是要消除两性差别，它引发了女权主义的理论研究热潮，更多的女性为争取女性在文化、历史、习俗上的更多自由而投身到这场斗争中。注重社会性属的考察，分析了性属所造成的性格的差别，形成了各个方面的女权主义的理论创建；男性气质和女性气质的差别；女权主义理论作为正式的学术研究，此间逐渐发展成为人文学科中一个重要的研究领域。在这里《第二性》尽管发表较早(1949年)，但它对女权运动的第二次浪潮起到了巨大的推动作用。波伏娃促使女性超越生理局限，更多地关注到政治、法律对女性自由的束缚。凯特?米利特的《性政治》（1969年），把“父权制”概念引入女权主义理论，并为它注入了新的含义，父权制不仅指男性作为权力中心统治女性，而且包括男性长辈对晚辈的统治。米利特将性别与政治直接且突出地联系在一起，用“父权制的男性沙文主义”统治，把男性对女性的压迫视为人类社会历史统治的最基本最普遍最不合理的政治形式，激起女性与整个人类联合起来推翻父权制的统治。米利特将这种激进的政治态度带进文学批评，以此反对当时占绝对权威的新批评理论，成为女权主义文学批评的典范。于是，人们开始提出了性属（gender）概念，即社会性别，或称其为历史性别或文化性别。性属理念是揭露性的批判，从中我们可以看到被社会不平等给与性别的印记，可以看到性别之间的主次划分和优越从属的区别。在《性属/社会性别机制》一文中，特利沙·德·劳力提指出，对于社会性别而言，“不仅仅是在每个词、每一符号都指代一种物体、一件事情或是一个有生命的机体这种意义上的再表现。社会性别事实上是对一种关系，一种隶属于一个阶级、一个团体、一种类别的关系的再表现。……所以说，社会性别并非指代一个个人而是指代一种关系， 一种社会关系。换句话说， 它为一个阶级而指代一个个人。” 可说是“与社会不平等机构有机地连结在一起的”。他认为，性别—社会性别体系既是一种社会文化建构也是一种语言机制，一种指定个人在社会中的意义（身份、价值、声望、在血族关系中的位置以及社会地位等等）的再表现体系。如果社会性别的再表现代表着不同含义的社会地位的话，那么某个人被表示成或自表为男或女也就意味着承认了整个社会性别的意义体系。发现女性被社会给与的卑下性别和社会性属的理论，导致了自然性别论的破产。社会性别的再表现也就是社会性别的建构，男性和女性之间的社会差异就显露出来了。一方面可以看到男女之间横亘着的不可逾越的鸿沟，同时表现为社会价值观赋予的女性气质与男性气质之间的截然不同。社会对女性的气质的规定打造了女性形象，从而也规定了女性的命运和女性的生活状况及家庭生活状况。有的人看到，社会性别理论的贡献在于性属"gender"概念，人类才意识到，有阶级历史以来任何人类社会阶段上都有社会性别。只是没有作自觉的观察和了解。在人类认识到了性属存在和发展的过程中，人的身心被建构成了一种历史的和社会的性别——性属。这些过程随着时间推演而不断改变。历史学家斯科特在《社会性别：历史分析的一个有效范畴》中对性属/社会性别概括道，性属/社会性别是组成以性别差异为基础的社会关系的一个成分，是区分权利关系的基本方式。在这里，他强调了两点：第一，性属/社会性别是社会关系的表现，不是由生理性别决定的；第二，性属/社会性别是权力关系的一种存在方式。
慢慢写.....
伊丽莎白的性格，知性，倔强，有主意，还有一些当时的社会属性
傲慢与偏见论文题目英文
自己能用英文得心应手的写的，最好写。俗称适合自己的，
你是想写什么类型的呢？我遇到很多英语专业的同学，发的不是语言研究就是教学研究的论文，语言语法类的可以去参考下现代语言学期刊，教学类的可以参考创新教育研究期刊，总的来说就是，想找什么类型的就去对应的期刊找文献
Austen，Jane．Jane Austen’s letters．ed．Deirdre Le Faye．Oxford and NewYork：Ox~rd UniversityPress．1995． [7]Austen，Jane．Pride andPrejudice．1813．Bantam Classic Edition． 1981 [8]Copeland，E．＆ Mcmaster，J．The CambridgeCompanion to Jane Austen．Cambridge：CambridgeUniversity Press．1998.[9]William J Fitzpatrick，Jane Austin’s PRIDE ANDPREJUDICE，Simon & Schuster，1964.[10]Nark Schorer. Pride and Prejudice，Riverside Edition—B1，Boston，1956. [11]R. W.. Chapman，Jane Austen:A CriticalBibliography，22nd Edition，London，Annotated，1955. [12]David Daiches，Introductionto Pride and Prejudice. Modern Library，New York，1950
学术堂整理了三十三个好写的英语论文题目,供大家进行参考:1.《红字》中海丝特 白兰不理智的一面(The Irrational Side of Hester Prynne of The Scarlet Letter)2. 《董贝父子》中的矛盾冲突(The Conflict in Donbey and Son)3. 论文化不同对联想意义及翻译的影响(On Influence of Cultural Differences on Associative Meanings and Translation)4. 美国教育的衰弱(The Drop of American Education)5. 19世纪欧洲移民对美国工业化的积极影响(The Positive Impacts of European Immigration on American Industrialization in the 19th . 朱丽叶之人物分析(Character Studies in Juliet)7. 主述理论在文学中的运用(The Application of the Thematic Theory in Literature)8. 语用学中的会话含义理论(Conversational Implicature Theory in Pragmatics)9. 英语语音简析及对提高初学者口语的指导(A Brief Analysis of English Phonetics as well as a Guide to Improve Learners' Oral English)10. 比较两种对于哈姆雷特复仇的评论(Comparison on Two Kinds of Comments on Hamlet's Revenge)11. 英语语言中的性别歧视 (Sexism in English Language)12. 英语的学与教 (English Learning and Teaching)13. 由美国2004年总统选举所想到的 (More than 2004 Presidential Election)14. 论腐朽世界中的纯洁品质--关于《雾都孤儿》的赏析 (The Purity in a Corrupt World-An Analysis of Oliver Twister)15. 论理智与情感之关系--对《理智与情感》的人物分析16. 入世对中国银行业的挑战 (Challenges on Chinese Banking Sector after Entering the WTO)17. 西进运动对美国的影响 (The Influences of Westward Movement on America)18. 史蒂芬?克拉申的听读假设和二语习得 (Stephen Krashen's Input Hypothesis and Second Language Acquisition)19. 艾?巴?辛格--犹太文化的守护者 (L. B. Singer-the Patron of Jewish Civilization)20. 二十世纪60年代美国妇女运动的派别 (The Politics of American Women's Movement in the 1960's)21. 论《红字》的模糊性 (Ambiguity in The Scarlet Letter)22.《嘉莉姐妹》中无心的欲望 (The Limitless Desires in Sister Carrie) 23. 英语广告语言修辞特点 (Rhetorical Features in Advertising English)24.《儿子与情人》中的恋母情结 (Pau Morel's Oedipus Complex in Sons and Lovers) 25. 造成苔丝悲剧命运的原因 (The Reasons for Tess's Tragic Fate)26. 论恐怖主义的根源 (On the Root of Terrorism)27. 2003: 中印关系新纪元 (2003: A New Era of Sino-India Relationship)28. 希兹克利夫的复仇 (The Revenge of Heathcliff)29. 弗洛伊德理论对美国现代文学的影响 (The Influence of Freudian Theory on ModernAmerican Literature)30. 论萨姆一家人之"变形" (The Etamoephosis of the Samsas)31. 亚伯拉罕 ? 林肯的民主思想初探 (A Preliminary Research on Abraham Lincoln's Thought of Democracy)32. 评析《傲慢与偏见》的男主人公达西 (Mr. Darcy in Pride and Prejudice)33.《简爱》的圣经情书 (The Relationship Between Jane Eyre and the Bible)
傲慢与偏见英文论文格式
The Use of Marriage in Pride and Prejudice to Present the Nature of an Ideal Relationship With a social and cultural context where marriage was assumed to be of great importance, Jane Austen uses a number of marriages to expose and satirize societal values of the age, and to explore the nature of the ideal marriage. Austen portrays a true and ideal marriage to be one where economic and social compatibility is encompassed with love and the union of minds. In the novel, all marriages, except Elizabeth and Darcy’s, appear to be deficient in the values necessary for an ideal marriage. The marriage of the Bennets is an imprudent one, a union of a reasonably intelligent man with an inane wife. The suggestion that the initial attraction was purely physical elucidates that the relationship is based on superficial grounds. Mr. Bennet’s lack of satisfaction in his marriage leads him to shut himself from reality, failing to procure the masculine control that Austen regards as central in a successful relationship. Austen thus portrays marriage as a patriarchal institution, elucidating a perfect marriage to be one where the male takes control and the female allows for the “meeting of minds”. Like the Bennets, the marriage between Lydia and Wickham is also flawed. Their relationship is one where physical desire outweighs reason, decency and good sense, with “their passions stronger than their virtue.” Lydia’s infatuation with the “uniform” and desire for social standing, and Wickham’s desire for financial inducements leads them to marry for entirely wrong reasons. By stepping outside the social norms of her society, Lydia makes herself vulnerable to ostracism, and by breaking the rules of society (that Austen herself supports), their marriage is doomed to fail. In the novel, Charlotte Lucas presents a pragmatic view on marriage, declaring that “happiness in marriage is entirely a matter of chance”. Her marriage to Mr. Collins is to gain in establishment and acquire social standing and economic stability. It is through Charlotte Lucas that Austen illustrates the dire economic and social plight faced by unmarried women in the eighteenth century. The superficial nature of Collins’ love is made abundantly clear by Austen through his earnest desire to appease his patroness, by the ease with which he is able to transfer from one marriage object to another and the absurdity of his emotions. While the Collins’ relationship has social standing and economic security, it is entirely deficient in the affection and intellectual union that Austen regards as quintessential in a true marriage. The marriage of the Gardiners is superior to that of the Collins in terms of affection, intelligence integrity as well as economic stability. However, Austen’s realistic appraisal of eighteenth century society finds their relationship inferior due to its lack of rank and status. Similarly, Jane and Bingley [at the end of the novel] come to enjoy affection, position and economic security. However, their relationship is delineated to be lacking in depth of feeling and intelligence, and is a union of less intelligent minds, less self-awareness and Bingley’s weak irresolution. By comparison with all other marriages in the novel, Elizabeth and Darcy’s is the ideal by Austen’s standards - meeting the highest criteria of love, character and fortune. Theirs is a relationship of mutual respect and love, based on moral integrity and an understanding of each other as well as themselves, while possessing economic wealth and status. The marriages in Pride and Prejudice thus portray and advocate patriarchy within the economic system, social standing and society as a whole. Jane Austen therefore portrays marriage as a patriarchal institution where economic, social and intellectual compatibility as well as love must be present for the relationship to succeed. Marriage in Pride and Prejudice "It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife." Jane Austen provides subsequent argument with the first line of her novel, Pride and Prejudice. A statement that remains true to this very day. Austen's' first statement sets up the beginning of the novel. She states that a man, financially well off, but with no mate to accompany him to share in his wealth, is undoubtedly in search of a wife. In Pride and Prejudice, Mr. Bingley and Mr. Darcy play the role of the rich men. Mr. and Mrs. Bennet are the parents of five unwed daughters. Mr. And Mrs. Bennet have conflicting thoughts about the arrival of the rich neighbors. Mr. Bennet thinks nothing of it. He has no new thoughts about the arrival of Bingley and Darcy. Mrs. Bennet sees flashing lights. She views it as the perfect chance to automatically place a few of her five daughters into the rich community. Marrying off her daughters serves as the main purpose in Mrs. Bennet's life. Mrs. Bennet wants her husband to go and make a greeting to the new crowd. Her plans are to get in contact with them and make aware her five unmarried daughters. Mrs. Bennet encourages her daughter, Jane, to set her sights on Mr. Bingley. Mr. Bennet's' sarcastic comments prove his disconcert on the whole topic. When Jane is invited to meet with Mr. Bingley and his sister, Mrs. Bennet suggests that she go by horseback in hopes that she could probably get ill and extend her stay. Mrs. Bennet's' mind is always thinking of ways to marry off her daughters. Her idea works to perfection and Jane ends up staying longer. Mrs. Bennet goes to work again at the arrival of Mr. Collins, Mr. Bennet's' cousin. Mr. Collins stays at the Bennet's house for a short time. He will inherit Longbourn when Mr. Bennet dies since he will be the only, close male relative. Mr. Collins first intentions are toward Jane, but Ms. Bennet informs him of Bingley. Collins then changes his target to Elizabeth. Mrs. Bennet is astounded at the rejection from Elizabeth. She does everything in her power to try to persuade her to marry Collins. Mrs. Bennet views Collins as a successful Reverend with a prosperous future who would be a good choice for Elizabeth. Elizabeth will have no such thing, and denies Collin. Her father also supports Elizabeth's decision not to accept the proposal. Marriage serves as the main element in Austen's' novel Pride and Prejudice. Mrs. Bennet's' preconception with her daughters and their mates leads her to be almost a social misfit. Behaving irregularly at public ball and events, she constantly sets a bad name for her family. On the other side, Mr. Bennet's' traditional ways of thinking of not trying to force marriage, but let it come naturally, contrast greatly with his wife.
故事主要说的是十八世纪在英国发生的四门婚姻。其中最主要的，自然是发生在女主角伊丽莎白·班纳特与男主角费茨威廉·达西之间的爱恨情仇。伊丽莎白是个勇于追求爱情、漂亮聪明、坚强可爱的中产阶级女子。故事主要以她对达西先生从一开始的厌恶到尊敬，再到爱慕为线索，也穿插了在几个发生在她身边的幸福或不幸的婚姻，揭示了作者对那个时代女人生活与爱情的理想和期望。 故事中女主角伊丽莎白第一眼看到男主角达西就是不顺眼的，加上男主角个性的傲慢，继而对他有了偏见。而男主角达西，是个不受人欢迎的傲慢男子，也不屑于周遭冷淡的人际关系，对他来说，傲慢也许是有理的，偏见却很无情，这两者产生的冲击是免不了的。两个人之间也因此而常有针锋相对的言辞，彼此之间的傲慢和偏见就造成了一开始的不愉快与误解，但是经过种种事件的澄清，彼此又渐渐产生一点点的感情。达西代表着“傲慢”，伊丽莎白代表着“偏见”，他们一开始都被自己的情绪所牵引。接着一连串对达西不利的流言，更让伊丽莎白对达西反感。当达西向伊丽莎白求婚而遭到拒绝时，他说了一句话：“要是我耍一点手段，把我内心的矛盾掩饰起来，一味地恭维你，使你相信我无论在理智方面、思想方面以及其他各方面，都是对你怀着无条件的纯洁的爱，那么也许你就不会有这些苛刻的责骂了。可惜无论是什么样的伪装，我都痛恨。”达西没有为了讨好伊丽莎白，而改变他的傲慢性情。伊丽莎白也表现了很真实的自己，彼此都不刻意去营造给人的印象，表现出了最真实的一面。而开始的时候，伊丽莎白一直活在自己的偏见之下，而忽略思考事实的真相，经过达西的解释和自己的判断，才最终找到幸福的归宿。 傲慢与偏见，是我们很常见的弱点和毛病。每一个人其实都很容易被自己的主观印象所驱使，因而容易对别的人下不正确的注解，进而造成了彼此之间的误会。一个人所给予的第一印象固然可以影响到很多事，但并非一定不会改变，要有更加深入的了解，才能有更客观一点的论点，就好像故事中女主角对达西的看法，就是因为了解才有所改变。