肖恩克救赎论文文献综述

肖恩克救赎论文文献综述

故事发生在1947年，银行家安迪因为妻子有婚外情，酒醉后本想用枪杀了妻子和她的情人，但是他没有下手，巧合的是那晚刚好有人枪杀了他妻子和她情人，他被指控谋杀罪，被判无期徒刑，这意味着他将在肖申克监狱中渡过余生。 瑞德1927年因谋杀罪被判无期徒刑，数次假释都未获成功。他现在已经成为肖申克监狱中的“权威人物”，只要你付得起钱，他几乎能有办法搞到任何你想要的东西。每当有新囚犯来的时候，大家就赌谁会在第一个夜晚哭泣。瑞德认为弱不禁风、书生气十足的安迪一定会哭，结果安迪的沉默使他输掉了两包烟。但也使瑞德对他另眼相看。好长时间以来，安迪几乎不和任何人接触，在大家相互报怨的同时，他在院子里很悠闲地散步，就象在公园里一样。一个月后，安迪请瑞德帮他搞的第一件东西是一把石锤，想雕刻一些小东西以消磨时光，并说自己想办法逃过狱方的例行检查。之后，安迪又搞了一幅丽塔.海华丝的巨幅海报贴在了牢房的墙上。 一次，安迪和另几个犯人外出劳动，他无意间听到监狱官在讲有关税上的事。安迪说他有办法可以使监狱官合法地免去这一大笔税金，做为交换，他为共同工作的犯人朋友每人争得了3瓶啤酒。喝着啤酒，瑞德猜测说安迪只是借用这个偷闲享受自己以前自由的感觉。一次查房，典狱长递给他圣经，并告诉他“救赎之道，就在其中”，随后，他被派去和一名即将假释出狱的老人布鲁克斯，变成了监狱的图书馆管理员，并且为了争取鉴于图书馆的图书更新，他每周写一封信，为图书馆的扩大而努力着，六年后，他的愿望终于实现。而他利用监狱广播为众人播放《费加罗的婚礼》，他为整个监狱的犯人，带来了自由。他开始帮助道貌岸然的典狱长洗黑钱。并且为监狱其他狱警处理其他事项所需文件。一名小偷因盗窃入狱，巧合的是他知道安迪妻子和她情人的死亡真相，兴奋的安迪找到了狱长，希望狱长能帮他翻案。虚伪的狱长表面上答应了安迪，暗中却用计杀死了告诉他这个事实真相的Tommy(安迪在狱中的学生），只因他想安迪一直留在监狱帮他做帐。安迪知道真相后，决定通过自己的救赎去获得自由！行动之前，他为自己最好的狱友瑞德留下了神秘的留言。 安迪通过艰辛成功“越狱”，领走了他帮助典狱长的没有任何污点的钱，典狱长绝望自杀，两个朋友最终相遇，潸然泪下的结局。

肖申克救赎影评范文1500字 肖申克的救赎讲述的是这样一个故事，银行家安迪因妻子的背叛和醉酒的冲动所作出的行为被指控谋杀了与人偷情的妻子，被法庭判决为无期徒刑，关在肖申克监狱。安迪刚开始默默承受这一切，后来认识了瑞德和其他的一些人。并熟悉他们和他们成为朋友。这其间安迪被姐妹花欺负，安迪凭借着自己的才能为监狱里的看管和军官们报税，后被监狱长看上，为他洗黑钱，成为他的附庸。安迪还用自己的执着每星期给州政府写信，终于为肖申克监狱建立起一座图书馆。后来一位年轻的小伙子的到来，告知安迪是被冤枉的，却被监狱长暗杀。安迪终于决定越狱，爬过那个他用斧子挖了20年之久的洞穴，奔向自由。 一个监狱，里面的囚犯和官员，似乎是我们这个社会的众生相。 典狱长诺顿高高在上，平时道貌岸然，对圣经倒背如流，实际上攫取利益时不择手段，残酷、阴险而贪婪。狱警长海利和其他警员，凶狠残暴，充当诺顿的打手，草菅囚犯的人命。他们是不是象极了我们现实中的掌权阶层?我称之为监狱这个“小社会”的统治者。 囚犯中也有不同。除了主人公安迪之外，瑞德当然是关键人物，我认为他是整部影片的线索：其实，整部电影中对白不多，影片很多想展现的东西都是通过瑞德的独白说出来的，其中多半都是瑞德对监狱生活的反思总结和他对安迪的解读。 属于他自我的世界已经被压缩到了最小，最终他只能选择从这个已经完全不属于自己的世界消失。值得一提的是，有着同样感觉和“被制度化”感觉的瑞德却没有走布鲁克斯的老路--悬梁自尽，因为瑞德知道，还有样东西再等着他，所以他在房梁上写着“soisRed”之后就走了。这就是肖申克的救赎。 而安迪，我们的主人公，他是一个真正的人。瑞德可以说是一个“坚强”的人，而安迪则是一个“伟大”的人，他救赎的不仅是自己，他也尽一切努力拯救囚犯们的灵魂。实际上整部影片关于他挖隧道逃生的情节是惜墨如金，以至于安迪逃走那一幕让我感觉相当突兀，这说明神乎其神的逃狱并不是影片的主题。而且瑞德告诉了我们，安迪在挖好地道之后并没有立刻逃走，他最终离开是因为汤米的死让他看清了诺顿们的残忍无情，看清了自己并没有能力救赎其他的囚犯。 也就是说，尽管安迪已经做好了逃狱的准备，他也没有马上逃走，虽然他有拥抱自由的极切渴望--在他逃出监狱之后站在小河里拥抱风雨的那个俯视镜头相信观者都会印象深刻--但他仍然留在监狱帮助那些“无希望的人”。影片主要就是在这方面进行描写，我想这也是影片叫肖申克的救赎而不是安迪·杜佛瑞的救赎的原因。 肖申克的救赎里有句话感动千万人：希望是个好东西，或许是这个世界上最好的东西。安迪坚持这样的信念，所以用那把小斧子挖了20年终于把那条通往自由的道路挖通，但他并没有急于出逃，他在等待，他还在希望，希望法律能给他一个最终公正的结果。但安迪所等来的是典狱长无情的贪婪和谋杀。同时安迪也是执着的。 他每星期写一封信坚持几年之久终于为肖申克监狱建立起一个图书馆。他还帮助汤米学习，从最基本的字母学起，最终被一所学习所录取。安迪向往自由，这种自由，是发自内心的自由，所以他不顾典狱长的恐吓，为监狱所有的人，包括那些囚犯，播放那首意大利歌曲。 那首歌曲就如同自由的阳光散在了每一个“被拘禁”人的心里，飘荡在肖申克监狱的上空。人们为这种声音所陶醉，尽管他们并不知道这首歌的意义。但它代表了每一个向往自由的心，飞越肖申克监狱，奔向远方。安迪还为朋友赚得一箱冰凉的破，哪怕冒着生命的危险。他的行为，救赎了每一个在他身边的人，因为他的到来，朋友们有了欢乐，有了对自由，信念的向往。因为他的越狱，朋友们有了他无尽的开心的话题。 在监狱冤屈20之久，安迪没有抱怨，依然如我的过话。此外他觉得对不起她的妻子，尽管他并没有谋杀她，但安迪一直觉得是他间接害死了他的妻子，所以他内疚，不能原谅自己，当20年的监狱生涯到来时，他觉得自己该偿还的都已经偿还了，在最后时刻，安迪还惦念着他的好友瑞德，告诉了瑞德他关于未来生活的构想。“那是一个没有记忆的地方。”这样一个地方，对于每一个曾经痛苦过的人都是非常向往的。当瑞德出狱后，找到他的好友安迪，两人会心一笑，该是何种愉悦的心情。 肖申克的救赎观后感_1500字 肖申克的救赎是一部不可多得的优秀励志型影片。影片故事情节很简单，充满了好莱坞的传奇色彩：被诬谋杀自己的妻子及其情夫的银行家安迪被判终身监禁来到了肖申克监狱。他的与众不同引起了黑人囚犯瑞德的注意并最终结成了很好的朋友。安迪总是沉默寡言并旧能地维护自己作为一个正常人应该保有的一切。一个偶然的机会，他开始用自己丰富的金融知识帮助狱卒们“合法”地逃税，甚至帮助典狱长洗钱，以此换得一些对囚犯、对自己稍微宽松的待遇。他甚至不厌其烦地给州政府写信，并在几年后得到了回应---州政府向肖申克捐赠了图书、唱机、甚至史无前例的监狱图书基金—每年500美金。然而安迪终于从一个新来的囚犯那儿得知了自己妻子被杀的真相，当他向典狱长提出申诉的要求时却遭到了粗暴的回绝。因为此时贪婪的典狱长已将安迪当作自己谋取暴利的摇钱树，他甚至不惜杀掉那个知情的囚犯从而将安迪永远地留在肖申克来满足自己对于金钱无止境的贪欲。安迪对于法律公正的幻想破灭之后，终于不动声色地走上了自我救赎的道路—在一个月黑风高、闪电交加的深夜，安迪成功地穿越了自己十九年来挖成的秘密通道，重新获得了自由。 影片中有几句话是非常经典的。 (1)瑞德：监狱是怪地方，起先你恨它，然后习惯它，更久后，你不能没有它，这就叫体制化。 (2)安迪：世上有些地方是石墙关不住的，在人的内心，有他们管不到的东西，完全属于自己。瑞德：你指什么?安迪：希望。瑞德：朋友，我告诉你，有希望才危险。希望能把人弄疯，希望无用，你最好认命。 这无疑是部具有深刻内涵的影片。高大森严的肖申克监狱是一个含义丰富的象征，仿佛我们在现实中经常遭遇的一种冷酷的权威的代表。当我们对自己还懵懂无知的时候，我们便开始不断地接受这种权威的训练、锻造和暗示，我们不断地被告诫要完全清除干净自己内心的道路，竭力地、由衷地接受它的教化，从而赢得它的奖赏，以期获得我们做人的一切需求：被尊重并实践自己单纯的梦想。但权威却正不可感知地、潜移默化地变成了我们自己的一部分，我们的心脏和呼吸拥有了权威所赋予我们的统一的节奏，而我们自己对此却一无所知。他形象的表达了制度化之下的人是顺从制度失去自我，还是怀有希望找寻自由。 它给人一种无形的力量，它让我知道人的一生中所应该拥有的最宝贵的东西，从而珍惜你现在还拥有它的机会。因为我们人类始终是这样：只有失去了，才真正意识到它的价值，才又拼命地去争柔回来，然后又不去珍惜。希望、自由、友谊是我们最基本、最起码的感觉和需要，如果自己不珍惜，那么难道还祈求别人去珍惜和维系吗? 同时安迪的形象也刻画得非常出色。他看上去懦弱，但实际却非常坚强。他不怕毒打，坚持自己的意见。他聪明而有学识，善待他人，善待自己，从没忘记自己是个有尊严的人，从没忘记希望和自由。 瑞德(独白)：于是呢，在完工前一天，49年春的公差犯人，在早上十点坐成一堆，喝着冰凉的破。鲨堡历来最狠的狱官请客，这王八蛋还装大方呢。阳光洒肩头，仿佛自由人，像在修缮自家屋顶，我们像是造物之主般自在。安迪呢，他窝在阴凉下，脸上挂着奇异微笑，看着我们喝他的酒。你可说，他想拍狱方马屁，或想博取囚犯友谊，但我认为他只想重温自由，即使只一刹那。 他敢于冒险却很细心。当瑞德认为用一把小锤要100年才能打洞逃生的时候，他实际只用了19年就做到了。他有信心和勇气。 说实话，我被这部影片彻底的震撼了，灰色高大的围墙隔开了目光，隔开了一切。漫漫无期的岁月，寂寞无望的日子，精神一点点被磨蚀，灵魂逐渐在扭曲，心灵走向麻木，直到自己已经感觉不到麻木。哀大莫过于心死，所谓的“希望”，“信念”已然连同他们的肉体一同被禁锢起来。生活就像一盒巧克力，你永远不知道你会得到什么。当一片羽毛缓缓飘荡的时候，生活被幻化成了一首优美的圆舞曲，因为不管拿到的是什么，巧克力永远都是可口的。只有费加罗的婚礼响起的那个一刻，所有的犯人被这恍如隔世的声音震撼了——一丝来自俗世的气息带着自由的感觉。哪怕只是刹那的停留，哪怕只如一个飞掠而过的闪光，却似乎唤醒了囚犯心底里一丝尚未完全泯灭的东西。或许这片刻的清醒，刹那的释放，将带来更沉重的压抑，就如揭开伤口上的血痂。 肖申克的救赎把生命变成了一种残酷的选择。肖申克的救赎是我们简单的生活中值得一再回味的东西。相信自己，不放弃希望，不放弃努力，耐心地等待生命中属于自己的辉煌，这就是肖申克的救赎。 肖申克的救赎观后感 有一种鸟儿是永远也关不住的，因为它的每片羽翼上都沾满了希望与自由的光。 ——题记 影片以安迪的狱中好友瑞德的回忆开始：“一切都宛如梦境一样地不真实，只有当夜晚降临，四周漆黑一片，听到铁门关闭的声音，才忽然意识到这一切都是真真实实的。四周一片寂静，时间漫长无边，而剩下的只有思考。” 这是一个关于美国监狱的黑暗故事。黑暗在于司法的黑暗，在于其对人性的摧残。这种摧残不但限制了囚犯的精神自由，更扼杀了他们对生活仅有的向往。影片让人心生感动之处在于，它刻画了这样一个主人公——安迪。在黑暗体制的压迫下，安迪以极大的耐心、执着的信念，忍辱负重，完成了心灵的救赎，最终逃脱牢笼，到达希望与自由的圣地——芝华塔内欧。 美国华盛顿邮报曾刊载了这样的评论：“一条漫长的自由之路，一次灵魂深处的洗涤，一部不朽的励志经典……肖申克的救赎带来的是恒久不变的真挚友情，百折不挠的灵魂锻炼和生生不息的命运之火。” 体制化下的人格畦型，是影片着力刻画的一个重点。在黑暗的肖申克监狱中，“以强凌弱、以老欺新”被视为天经地义，甚至是单调枯燥的囚狱生活中唯一的取乐方式。在这样的环境中，我们的主人公，一个有着极高的文化层次和个人修养的银行家，意外的被指控谋杀，走进肖申克监狱，开始了监狱长诺顿所谓的“心灵救赎”的漫漫之旅。在很多老犯人眼中，看起来弱不禁风、书生气十足的安迪，肯定受不了这非人的折磨，必定会在入狱第一夜失声痛哭，像其他囚犯一样的沉沦。可是安迪却用沉默和坚韧，智慧和信念经受住了所有的一切。 在弥漫残忍、变态、暴唳、扭曲的监狱中，安迪可谓其中一道独特的风景。放风时，尤如在静谧的公园中一样的闲庭信步;维修房顶时，冒着被狱警推下屋顶的风险，为狱友争取破;为了让狱友听上一段费加罗的婚礼，被关一周禁闭也在所不惜;为了让监狱不再枯燥，不停地写信给州议会，最终争取到一笔经费在监狱建起图书馆;为了心中的希望和自由，长期忍受着监狱长的苛责与呵斥，不动声色，用一把小锤子，日复一日凿出一条通往新生的暗道。 肖申克，这座囚禁之所，在漫长的囚狱生涯中，很多像老布一样的人，刚开始排斥它，慢慢习惯它，最后离不开它。得到假释的老布，离开了囚禁他大半生的地方，得到了久违的自由。但作为一个体制化的产物，对于狱外的世界他一无所知。连狱友仅有的尊重和友谊都失去的时候，最后他选择了自杀。就连充满智慧、看破一切的瑞德，也被监狱中的种种体制束缚，无法找寻真正的自由。只有安迪，凭借着内心的那份坚忍，经历了血与火的心灵救赎，逃离了这个人间炼狱。安迪最终还是走了，有些鸟儿的颜色太鲜艳了，它们是关不住的。 也许正如梭罗所说：“一个人如何看待自己，这就决定了他的命运，或者说，指明了他的归宿。”安迪始终带着一种含义不明的表情，沉默却意志坚定，机敏过人却从不无谓地冒险。一步一步靠近自己的目标。当他终于爬出500米恶臭的污水管道，站在瓢泼大雨中的时候，我仿佛看到信念刺穿重重黑幕，在暗夜中打开了一道夺目霹雳的亮光。光芒之下，那些懦弱的灵魂在安迪张开的双臂下颤抖，久久无法平息。 每个人都为希望而生存，为自由而奋斗。但是在社会、生活、家庭的种种“体制”下，希望在一点点沦丧，自由在一寸寸丧失。但愿每个心存希望梦想的人，都能从安迪身上看到，无论环境多么艰苦、挫折多么沉重，永不放弃对希望与自由的追求，为了心中的芝华塔内欧，永往直前。最后，把安迪留给瑞德的那封信送给大家：

肖申克的救赎论文答辩

Officer: You feel you've been rehabilitated? 你觉得你已经改过了吗？ Red: Rehabilitated? 改过？ Well, now, let me see. 让我想想 I dun have any idea what that means. 我不明白那是什么意思。 Officer: It means you r ready to rejoin society... 你有心理准备重新投入社会吗？ Red: I know what u think it means, sonny. 我知道你们是怎么想的，老弟。 To me it's just a made-up word. A politican's word so that... 对我来说那只是个用来掩饰的词。政客用的词语 young fellas like yourself can wear a suit and a tie and have a job.让你们年青人能穿西装打领带,有一份好的工作。 What do you really want to know. 你到底想知道些什么？ Am I sorry for what I did? 我对自己所犯的罪后悔吗？ Officer: Well, Are you? 你有吗？ Red: There is not a day goes by I don't feel regret. 没有一天，我不感到后悔。 Not because I'm in here or because you think I should. 不是因为我在监狱里，或你认为我应该这样 I look back on the way I was then.. a young... stupid kid who commited that terrible crime 我回首过往, 一个年青的, 愚蠢的孩子犯了如此大的罪 I wanna talk to him. I want to try and talk some sense to him. Tell him the things are. 我想和他谈谈。我想和他讲讲道理。告诉他做人道理。 But I can't. That kid's long gone...and this old man is all that's left. I got to live with that. 但已经不能了。那孩子已经无影无踪。只剩下这个老人。我得这样生活下去。 Rehabilitated? 改过？ It's just a bullshit word. 只是个狗屁的字眼。

发到你邮件里了 注意查收

等会，我忙完那边的论文过来帮你写

很明显这是一部讽刺电影。首先是因为他年纪大了。认为不会对社会在构成危害了。第二是既然这部电影有讽刺的意味。RED前2次答辩时候很认真很想出狱。但是都被驳回了，这次他也不抱有希望了。不知道你看出来了吗？而恰恰是这次他不厌烦和绝望的态度让官员同意了他的请求。我觉得电影想表达的一个意思是：在监狱中。哪怕你是正常的需要和请求，他都不会给你。这就是监狱刻薄和泯灭人性的地方。然后再把这些原本看来在平常不过的需要还给你，就好比放风。没进监狱之前那么点户外活动时间都不在乎。进去你就在乎了。回答完毕次为原创希望得分谢谢

肖申克的救赎鉴赏论文文献

"The Shawshank Redemption," with Tim Robbins, Morgan Freeman, Bob Gunton, Clancy Brown, and James Whitmore. Written and directed by Frank Darabont, based on the short novel "Rita Hayworth and Shawshank Redemption," by Stephen King. City Centre. "R" - Restricted; profanity, violence, mature content. Prisoners of Hope -- 'Shawshank Redemption' Melodramatic but RewardingBy Jeff ShannonWhen trustworthy colleagues told me they found "The Shawshank Redemption" either too long or vaguely disappointing, I must confess I was mystified. As the credits rolled after my first viewing, I was certain I'd seen one of the best movies of the year. After a second viewing (a rare luxury for reviewers these days), I understood my friends' complaints but my initial opinion held firm. It's true that Frank Darabont, making an otherwise remarkably assured directorial debut, could use a lesson in pacing and editorial economy, and from a detached perspective "The Shawshank Redemption" is likely to seem cleverly but deviously manipulative. It's by no means a perfect movie. But like "Field of Dreams," this movie about perseverance, ingenuity, and hope in the face of hopelessness held a greater personal significance - an emotional connection to a well-told story that transcended whatever niggling reservations I might have formed. Judging from the applause that followed both screenings I attended, there's clearly something to "The Shawshank Redemption" that many people will find, well . . . redeeming. It's in many ways a standard prison movie, beginning in 1947 when a New England banker named Andy (Tim Robbins) is wrongly convicted for the murder of his adulterous wife and her lover, and sentenced to two life terms in the Shawshank State Prison in Maine. There he meets Red (Morgan Freeman), another lifer who's "a regular Sears Roebuck," serving as Shawshank's primary supplier of smuggled goods and contraband. The corrupt, Bible-thumping warden (Bob Gunton) is a joylessly hissable villain straight out of the Snidely Whiplash school of melodrama, as is his vile and violent head guard, played with mule-headed brutality by the ever-effective Clancy Brown. Providing moral counter-balance are the prison's oldest inmate (a welcomed return for James Whitmore), and the close-knit members of Red's benevolent gang who, like Red, see in Andy a unique and optimistic spirit. Their admiration deepens when Andy earns rare privileges (by cooking the warden's books and filing the guards' tax returns) and mounts a successful campaign to build New England's finest prison library. But every privilege has a greater cost, and "The Shawshank Redemption" turns into a dark journey of the soul, with Andy cleverly and patiently awaiting his chance at freedom. To say that Robbins is too inexpressive is to miss the subtle, internalized grace of a finely calibrated performance. Like a sly bluffer who knows just when to tip his hand, Robbins portrays Andy as a man who can survive torture, threat, and psychological terrorism because he's matched his inward faith with an outward defense. The latter gives the movie its almost mythological payoff, delivered in tandem by the equally excellent Freeman, whose wise narration rises Andy's uplifting story to almost legendary status. Sharply adapted by Darabont from a novella by Stephen King, the film has been mounted with physical authenticity, but as a kind of adult fable it should not be confused with reality. There's a slightly artificial tidiness to the story, and it won't grab you if you aren't immediately hooked. But as it spans nearly two decades in the enduring friendship of Andy and Red, "The Shawshank Redemption" accumulates the kind of spiritual depth that comes from taking a path well chosen. The journey may not be a smooth one, but the destination is well worth the effort.

上百度上搜搜就OKAY！ 本人也非常喜欢这部电影，百看不厌···

影片中的友情当然是安迪和瑞德的友谊。这部影片在当年与阿甘正传一起成为好莱坞最优秀的影片。但是最终在奥斯卡上却颗粒无收。可以说史好莱坞史上最伟大的无冕之王。全篇以瑞德的口吻讲述了安迪在肖申克监狱19年的辛路历程。这部影片以救赎为主其中也体现了安迪与瑞德之间的友谊。如果说瑞德因为为安迪提供了锤子和海报成为了安迪身体自由的救赎者，那么安迪就是瑞德精神的救赎者。从安迪进监狱的第一天开始瑞德就关注他，不论安迪提出什么要求，瑞德都会利用自己的特殊关系，帮助他。同时我们在影片中看到了两种对人生的态度。瑞德的逆来顺受和安迪对自由的希望和向往。安迪问瑞德想过出去后的日子吗？瑞德却对自由失去了希望。所以安迪一次有一次唤醒他的希望。在房顶，安迪冒着被狱警长丢下楼的危险只为让他的狱友能够在天台喝上几瓶啤酒，享受片刻的自由。在广播室，安迪反锁了门，最后被禁闭一个月，只为让狱友听一听莫扎特那首费加罗的婚礼，享受美妙的音乐。安迪问瑞德有什么爱好，瑞德说以前有吹过口琴，但是现在不用了。安迪送了瑞德一把口琴，也把希望送个了他。安迪要越狱前告诉了瑞德自己理想的生活，在墨西哥的海边开一家开旅馆，用渔船载着他的客人，还对瑞德发出了邀请，希望以后他们两个可以一起经营旅馆。因为，他知道瑞德因为四十年的牢狱生活早已对外面的生活失去了适应，如果他出狱最终会像老布一样“灭亡”。所以，他给了瑞德希望。最终，瑞德在海边找到了安迪，当两个老友拥抱在一起的时候。我们看到了友情与救赎。他们在肖申克建立了深厚的友谊，又互相救赎了对方。随便写的哈，希望可以帮到你。这部电影非常好，他的内涵很深，我看了十几遍也没完全参透。

The Shawshank RedemptionA successful young banker Andy found his wife fornicate with a baseball coach. He flew into a fury and planned to shoot them dead at one night. But at last he gave up. His reason won his emotion. Surprisingly, his wife and her lover died at that night. Andy was framed for murder. And the sentence was two life imprisonments. He was sent into Shawshank prison. That was a dark and gloomy hell with mad prisoners, cruel warders and viperous and greedy wardenry. The first night Andy spent in it, a new comer like Andy couldn’t bear the fear and kept crying and shouting. The result was he was taken out and beaten dead by the warders. At that moment, Andy understood that if he want to live he must be silent in Shawshank. In Shawshank Andy knew an old prisoner Red. They gradually became friends. Red was able to get some small goods for the prisoners. So Andy asked for a little hammer because of his interest in geology. The life in Shawshank was full of danger. Andy, as a new prisoner, was often threatened and maltreated by some scoundrels because he always refused their unbearable and disgusting demand. In such a dark prison, no one could help him even if someone may want to. After tow years, one day, Andy, Red and some other prisoners got the chance to rebuild the roof. They heard the head of the warders complaining that he had to pay high tax to government if he wanted to receive his brother’s inheritance. Andy grabbed the opportunity and taught him a way to be exempt from taxation. The condition was to give each prisoner 3 bottles of ice beer. All the prisoners enjoyed the rare and short freedom leisurely. Red said,” It’s just like rebuilding the roof of our own house. We are free like God.” Another consequence was that from then on Andy got the protection from the head of the warders. And all the warders even the wardenry began to consult Andy for financial affairs. So some of his special behaviors were permitted, such as pasting posters of some famous actress on the wall or carving chessmen with his little hammer at as he was, Andy did more than a civilian. He kept writing one letter to the government every week to ask for bankroll to develop the library in Shawshank. After nearly ten years, a new library finally appeared. When checking the books from the government Andy found a piece of disc of The Wedding of Figaro. Then he played the disc in the radio room, letting the dulcet music spread above Shawshank. Although he was imprisoned alone for two weeks as penalty, he wasn’t regretful at all, because of the greatest thing in the world——music, which represents another best thing for human——hope. Later on, Andy knew a new prisoner Tommy, from whom Andy knew who was the real murderer that killed his wife. He immediately told the wardenry about this and naively thought the wardenry would help him leave there. But the wardenry didn’t do that. He killed Tommy. Andy had been laundering money for the wardenry for a long time. So it’s impossible for the wardenry to set Andy, as a tool and an attester for his crime, free. At this moment, everything seemed to be over. Both Andy and the audience should despair. But the climax of the movie appears. At a night with thunderstorm Andy escaped from Shawshank. Everyone including the wardenry and Red couldn’t believe it. The stone wall which Red asserted wouldn’t be dug through even with six hundred years was dug through by Andy in two decades. He kept digging with that little hammer at night, the sound of which was mistaken for the sound of carving chessmen. And the hole on the wall was covered by the huge poster of a famous actress. At that night, Andy crawled through the narrow tunnel to a drain-pipe and then smashed it with a stone under the cover of thunderclap. He was crawling while vomiting in the pipe which was as long as five football grounds by Red’s estimate. At length, Andy got out of the pipe into a little river outside the prison. He walked to the middle of the river and ripped his shirt, letting the rain wash all the filth away. Under the lightning and thunder, Andy spread out his arms, regaining freedom. When reading the postcard from Andy, Red sighed with feeling,” Some birds aren’t meant to be caged, that’s all. Their feathers are just too bright.” Andy had said,” Life has only two choices——get busy living or get busy dying.” This is the most impressive word in this movie. It influenced a lot of people including me. Everyone is able to be busy living, but not everyone can do that all the time. That’s why a few people have brilliant life; many remain mediocre till the last minute of their life while some always struggle to get out of poverty. We complain that God is unfair. We just despair when we are in all-time low. We take hands-off attitude towards ourselves when others think we are failure, although we will weep in dreams. All of these have a same reason——we forgot that only ourselves can save ourselves. Holding hope forever especially in desperation and reminding myself to get busy living at any moment. That’s the most precious thing I got from this movie——The Shawshank Redemption

肖申克救赎论文的参考文献

我有下过英文版的文你要不要？？观后感：影片《肖申克的救赎》的观后感英文的The story may sound simple, but the truth behind the words is remarkable. When I heard the name of the film first time, I considered the Shawshank to be a man’ name, but in fact it is a jail’s name——a hell in the world. Not only for the inhumanity of the jailors——they behaved brutally;but also for the jail gnawed at people’ heart by keeping them waiting and waiting as life passed. It seemed that only those utterly worthless people who gave up everything could survive. That’s where the story part impressed me most is when Andy got out of the jail. He extended his arms in front of him in the heavy rain as if he were welcoming the fresh air and the freedom. At that moment, I saw the confidence win the darkness, discharging light dazzling the eyes in the dark blue sky. Under the light, I could feel my recreant heart being shivering as his voice said: “Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!”That’s why I like this film: it encourages people to fight to preserve the dignity of human beings, to appreciate the beauty of life, and the most importance is to keep hope forever. He once that is born, that is die. Everyone is the same. The only difference is whether busy living or busy film tells us that even a man can live once, but if he keeps confidence, keeps hope and works his life right, then once is enough. The congfidence is the bird that feels the light when the dawn is still dark, the hope is the chief happiness that this world affords,nd the life should be full of the singing of the bird and the happiness hope brings. " What’s that do you think? It’s the trembling of the heart, the singing of the mind, the flying of the soul and the hope to be free.”

《肖申克的救赎》的作者是美国作家斯蒂芬•金，他于1947年出生于美国缅州的波特兰，后在缅因州州立大学学习英国文学，毕业后因为工资菲薄而走上了写作之路。12岁那年，他在姑姑家发现了一箱子的科幻和恐怖小说，据他所说，这是导致他日后创作风格迥异的重要原因。《肖申克的救赎》这一小说的背景是20世纪30年代的美国。那个时候，可以说是“美国的政治腐败已经到了商人面前，甚至波及到了监狱里了”。小说就是在这样的时代背景下，讲述了银行家安迪被当做杀害妻子和妻子外遇对象的凶手，被关进肖申克监狱。此后漫漫光阴，他用了二十多年的时间从监狱中逃出来，并以新的身份开始了新生活。小说是以瑞德的视角展开叙述的。瑞德是肖申克监狱中的一名权威人物，也是监狱中少有的几个可以与安迪交心的朋友。故事里，安迪正当而立之年，事业有成，本该过着人人羡慕的生活。但当安迪被判无期徒刑的那一刻开始，他从人生巅峰坠入了地狱深渊。这是一个荒诞离奇的反转，也正是一场救赎的开始。

影片中的友情当然是安迪和瑞德的友谊。这部影片在当年与阿甘正传一起成为好莱坞最优秀的影片。但是最终在奥斯卡上却颗粒无收。可以说史好莱坞史上最伟大的无冕之王。全篇以瑞德的口吻讲述了安迪在肖申克监狱19年的辛路历程。这部影片以救赎为主其中也体现了安迪与瑞德之间的友谊。如果说瑞德因为为安迪提供了锤子和海报成为了安迪身体自由的救赎者，那么安迪就是瑞德精神的救赎者。从安迪进监狱的第一天开始瑞德就关注他，不论安迪提出什么要求，瑞德都会利用自己的特殊关系，帮助他。同时我们在影片中看到了两种对人生的态度。瑞德的逆来顺受和安迪对自由的希望和向往。安迪问瑞德想过出去后的日子吗？瑞德却对自由失去了希望。所以安迪一次有一次唤醒他的希望。在房顶，安迪冒着被狱警长丢下楼的危险只为让他的狱友能够在天台喝上几瓶啤酒，享受片刻的自由。在广播室，安迪反锁了门，最后被禁闭一个月，只为让狱友听一听莫扎特那首费加罗的婚礼，享受美妙的音乐。安迪问瑞德有什么爱好，瑞德说以前有吹过口琴，但是现在不用了。安迪送了瑞德一把口琴，也把希望送个了他。安迪要越狱前告诉了瑞德自己理想的生活，在墨西哥的海边开一家开旅馆，用渔船载着他的客人，还对瑞德发出了邀请，希望以后他们两个可以一起经营旅馆。因为，他知道瑞德因为四十年的牢狱生活早已对外面的生活失去了适应，如果他出狱最终会像老布一样“灭亡”。所以，他给了瑞德希望。最终，瑞德在海边找到了安迪，当两个老友拥抱在一起的时候。我们看到了友情与救赎。他们在肖申克建立了深厚的友谊，又互相救赎了对方。随便写的哈，希望可以帮到你。这部电影非常好，他的内涵很深，我看了十几遍也没完全参透。

"The Shawshank Redemption," with Tim Robbins, Morgan Freeman, Bob Gunton, Clancy Brown, and James Whitmore. Written and directed by Frank Darabont, based on the short novel "Rita Hayworth and Shawshank Redemption," by Stephen King. City Centre. "R" - Restricted; profanity, violence, mature content. Prisoners of Hope -- 'Shawshank Redemption' Melodramatic but RewardingBy Jeff ShannonWhen trustworthy colleagues told me they found "The Shawshank Redemption" either too long or vaguely disappointing, I must confess I was mystified. As the credits rolled after my first viewing, I was certain I'd seen one of the best movies of the year. After a second viewing (a rare luxury for reviewers these days), I understood my friends' complaints but my initial opinion held firm. It's true that Frank Darabont, making an otherwise remarkably assured directorial debut, could use a lesson in pacing and editorial economy, and from a detached perspective "The Shawshank Redemption" is likely to seem cleverly but deviously manipulative. It's by no means a perfect movie. But like "Field of Dreams," this movie about perseverance, ingenuity, and hope in the face of hopelessness held a greater personal significance - an emotional connection to a well-told story that transcended whatever niggling reservations I might have formed. Judging from the applause that followed both screenings I attended, there's clearly something to "The Shawshank Redemption" that many people will find, well . . . redeeming. It's in many ways a standard prison movie, beginning in 1947 when a New England banker named Andy (Tim Robbins) is wrongly convicted for the murder of his adulterous wife and her lover, and sentenced to two life terms in the Shawshank State Prison in Maine. There he meets Red (Morgan Freeman), another lifer who's "a regular Sears Roebuck," serving as Shawshank's primary supplier of smuggled goods and contraband. The corrupt, Bible-thumping warden (Bob Gunton) is a joylessly hissable villain straight out of the Snidely Whiplash school of melodrama, as is his vile and violent head guard, played with mule-headed brutality by the ever-effective Clancy Brown. Providing moral counter-balance are the prison's oldest inmate (a welcomed return for James Whitmore), and the close-knit members of Red's benevolent gang who, like Red, see in Andy a unique and optimistic spirit. Their admiration deepens when Andy earns rare privileges (by cooking the warden's books and filing the guards' tax returns) and mounts a successful campaign to build New England's finest prison library. But every privilege has a greater cost, and "The Shawshank Redemption" turns into a dark journey of the soul, with Andy cleverly and patiently awaiting his chance at freedom. To say that Robbins is too inexpressive is to miss the subtle, internalized grace of a finely calibrated performance. Like a sly bluffer who knows just when to tip his hand, Robbins portrays Andy as a man who can survive torture, threat, and psychological terrorism because he's matched his inward faith with an outward defense. The latter gives the movie its almost mythological payoff, delivered in tandem by the equally excellent Freeman, whose wise narration rises Andy's uplifting story to almost legendary status. Sharply adapted by Darabont from a novella by Stephen King, the film has been mounted with physical authenticity, but as a kind of adult fable it should not be confused with reality. There's a slightly artificial tidiness to the story, and it won't grab you if you aren't immediately hooked. But as it spans nearly two decades in the enduring friendship of Andy and Red, "The Shawshank Redemption" accumulates the kind of spiritual depth that comes from taking a path well chosen. The journey may not be a smooth one, but the destination is well worth the effort.

肖申克的救赎影评杂志

do I want to write the comment about The Shawshank Redemption? I am not sure - almost everything that could be possibly said about it has been said. But like so many other people who wrote comments, I was and am profoundly moved by this simple and eloquent depiction of hope and friendship and redemption. The only other movie I have ever seen that effects me as strongly is To Kill a Mockingbird. Both movies leave me feeling cleaner for having watched didn't intend to see this movie at all: I do not like prison movies and I don't normally watch them. I work at a branch library and one day as I was checking The Shawshank Redemption out to one of our older patrons, she said to me, "Whenever I feel down or depressed, I check out this movie and watch it and it always makes me feel better." At the time, I thought that was very strange. One day there was nothing on TV except things I absolutely would not watch under any circumstance or things that I had seen too many times already. I remembered what she said, so I watched it. I have watched it many many times since then and it gets better with every action, no special effects - just men in prison uniforms talking to each Shawshank Redemption and To Kill a Mockingbird) are the best movies I have ever seen. I do not judge it by it's technical merits - I don't really care about that. I have read that Citizen Kane or The Godfather or this or that movie is the best movie ever made. They may have the best technique or be the most influential motion pictures ever made, but not the best. The best movies are ones that touch the soul. It takes a movie like The Shawshank Redemption to touch the soul. reason I became a member of this database is because I finally found a movie ranking that recognized the true greatness of this movie. There is nary a word or scene out of place in the entire thing. Every element comes together to form an exquisite story for cinema. I believe that one reason that this movie is under-appreciated is that people have not seen it multiple times. On first viewing it is the story of Andy Dufresne and his struggle to maintain hope despite his circumstances. However, this is really a movie about Red and his struggle to find meaning and purpose. The final segment of the movie testifies to the fact that the final resolution of the story comes about only when Red is faced with the same fearful situation as Brooks. Because of Andy, Red can find a different path-the path of freedom that is lit by hope. Who is your Andy Dufresne?

肖申克的救赎影评如下：这是一部经典的电影，是深刻反映人性的电影，美国导演弗兰克达拉邦特的经典之作《肖申克的救赎》，故事精彩，吸引人心，意义深刻，生动多彩，充满艺术气息和氛围。这部电影不仅是对美国司法和监狱制度的批判，也是一个人与人之间珍贵友谊的故事。

肖申克的救赎经典语录

1、Ittakesastrongmantosavehimself，andagreatmantosaveanother.

强者救赎自己，圣人普度他人。

2、Hopeisagoodthing，maybethebestofthings，andnogoodthingeverdies.

希望是美好的，也许是人间至善，而美好的事物永不消逝。

3、IfindI'

excitementonlyafreemancanfeel，afreemanatthestartofalongjourneywhose

，and

我发现自己是如此的激动，以至于不能静静地坐下来思考。我想只有那些重获自由即将踏上新征程的人们才能感受到这种即将揭开未来神秘面纱的激动心情。我希望跨越千山万水握住朋友的手，我希望太平洋的海水如同梦中的一样蓝，我希望。

这部电影根据一个很著名的作家的小说改编，讲述了一个名叫安迪的很年轻的银行家因为当时法律的不成熟而被冤枉，最终被关进监狱里面的故事。这部电影豆瓣评分，剧情简单不夸张，以缓慢的基调讲述了整个故事。让观众能够在简单不夸张的剧情中，感悟到很多的道理。

看了这部电影之后，我觉得安迪是一个很坚强的人。他懂得审时度势，懂得如何利用自己的才华去生存下来，哪怕这个地方或许跟他很不搭，哪怕这个地方很不适合他。我觉得我们每个人应该这样，学会冷静，学会自己去判断和选择自己要走的路。

因为大多数情况下，我们是没法选择环境的。如果我们没有能力改变已经发生的事情，我们就得自己去适应，就像安迪一样。此外，我觉得安迪也是一个伟大的人。他帮助了监狱里面的人重新找回了对美好人生的希望，对美好人生的向往。

安迪的朋友就是其中的一员，虽然他在整个监狱中是唯一有罪和犯了错的人。总支，我觉得正是因为有了安迪，整个监狱的人才有了希望，才有了未来。

《肖申克的救赎》是由弗兰克·德拉邦特编剧并执导的美国剧情片，由蒂姆·罗宾斯、摩根·弗里曼领衔主演。

该片根据斯蒂芬·埃德温·金1982年的中篇小说《肖申克的救赎》改编，主要讲述了银行家安迪因枪杀妻子及其情人的罪名入狱后，与在狱中走私各种违禁品的瑞德成为了朋友，安迪不动声色、步步为营地谋划自我拯救并最终成功越狱，重获自由。

该片于1994年9月23日在美国公映。

When I had finished watching the movie,I was excited and wanted to watch it the figures and details or the spirit that the music conveyed to."Hope is dangerous" Red had ever said,But Andy has always sticked to didn’t cry when he was thrown into prison though he was innocent. On contrary, he found ways to kill long time to escape. He helped the head of the prison do the illegal things in order to gain some freedom. He rebuilt a library and helped the other prisoners. All the prisoners liked him, for he helped them find hope again. Perhaps it was time to escape, in a lightening and thundering night, he escaped from the prison through the hole he had dug for twenty years . He was free eventually . I like Andy ,for his talent and his wisedom . And the most important thing that I like is his spirit—never giving up.